Can I manage an AI video production agent from my phone?

Yes. invideo's mobile app supports full agent interaction — you can review generated takes, trigger regenerations, approve shots before credits are spent, and chat with the invideo agent in plain language from your phone. Generation runs server-side, so your phone is a genuine control surface; only final timeline assembly in an editor remains a desktop task.

Install invideo's mobile app and you can run the same agent workflow you would run at a desk: review generated takes, trigger regenerations, and direct the invideo agent conversationally on the next shot. invideo is an agentic video creation tool with all the current models available, and because every generation runs in the cloud rather than on your device, managing from a phone carries no capability penalty — nothing renders locally.

Approvals fit a phone screen. Run the invideo agent in Always Ask mode and it presents each prompt with its attached references for sign-off before any credits are spent — a review-and-approve decision you can make from anywhere. A single generation step typically takes 10–15 minutes, so production naturally becomes check-in cycles: approve, wait, review the result, issue the next direction.

The invideo agent keeps working while you're away. Documented productions have run 5 scenes rendering in parallel and up to 8 renders in flight simultaneously, with agents continuing generation work overnight. Your role from the phone is the director's role: look at what came back, reject or keep it, and give the next note in plain language — the same way you would talk to a crew on set.

Location stops mattering. One documented production ran a 3-person team distributed across 2+ cities, all collaborating through the same invideo agent interface in real time — the phone is just another window into the same persistent project context, so nothing needs re-explaining when you switch devices.

The honest boundary: the invideo agent is a production asset generator, not a timeline editor. Approving shots, regenerating takes, and directing scenes all work from your phone; downloading the approved clips and cutting the final edit in an NLE like Premiere Pro or DaVinci Resolve is still a desktop job. Use the phone for direction and approval gates during generation cycles, and return to a desktop for final assembly.

All of us are working with Agent 1, so it doesn't really matter where we are.

— invideo's creative team